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photo
by Steven Mastroianni
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Ryan
Lott is not only gifted, he's a giver as well. A solo pianist trained
as a composer, Lott's real passion is collaboration. Not only is
he one-half of the funk/hip hop duo "2% Milk," he is currently
involved in several recording projects with musicians from around
the country. He collaborates with New York and Cleveland dance companies
and produces a large-scale, multi-media production called CONNECT,
involving up to 30 artists working together. And at his own expense,
Lott produces CDs of the CONNECT performances and sells them to
benefit food programs and shelters, from Cleveland's City Mission
to victims of the 2004 Tsunami and Hurricane Katrina.
"He's
one of the most gifted artists I have met in my 21 years as a producer,"
says Randy Rollison, former executive artistic director at Cleveland
Public Theatre. "He is also a magnet for other talented artists.he
inspires and leads."
Lott's
recent creative partnerships with choreographers and dance companies
include Gina Gibney Dance (NYC), At Marah Dance Theatre (Philadelphia),
Steve Rooks (formerly of the Martha Graham Dance Co., NYC), Inlet
Dance Theatre (Cleveland), Groundworks Dance Theatre (Cleveland),
and Dance Ad Deum (Houston).
Lott
grew up studying diverse compositional and performance styles-from
classical to rock to jazz-and earned his Bachelor of Music in Composition
degree at Indiana University School of Music in 2001. In 2005, he
received an Individual Artist Fellowship from the Ohio Arts Council,
and his music was recently featured in the Works & Process Series
at the Guggenheim Museum in New York City.
Also
in 2005, with his dancer/choreographer wife, Jennifer, Ryan co-created
Wake Arts Collective, a ministry extension of the Christian/arts
organization Blue Renaissance Creative Group, a group of artists
who use their talents in a ministry out of Colorado.
In
creating his often complex soundscapes, whether using acoustic or
electronic instruments, or a mix of both, Lott begins every composition
"with a set of limitations," he says. "The imposition
of restriction for me is an effective way to tunnel out new paths
during the creative process."
With
his youth, talent, networking, and passion for music, it's doubtful
there will be many restrictions Lott will encounter in the years
ahead-unless they're his own.
Amy
Sparks
Summer
2006
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