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Thom
Stauffer
Architect
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Wang
Addition, Shaker Heights, Ohio, 1999

Dunn
Addition, Cleveland Heights, Ohio, 1999

Karen
Skunta & Company, West 9th Street / Crittendon Building, Cleveland,
Ohio, 1992
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| Architectureat
its bestcan be graceful, welcoming, comforting, and pleasantly
surprising. Indeed, the great architects seem always to be designing
not just structures, but states of mind.
For
more than 20 years, Thom Stauffer has been stirring the emotions
of Northeast Ohioans with the kind of architectural statements that
often stimulate, sometimes provoke, and always delight. From private
residences and affordable housing to commercial structures, public
schools, and playgrounds, almost all of Stauffer's commissions for
clients ranging from University Circle, Incorporated to the City
of Cuyahoga Heights have resulted in honors of one sort or another
from his peers. Why? Because his work shows a remarkable consistency
of originality, a willingness to take risks, and the inventive flair
to pull them off.
In
his more than 20 years as a working architect and professor of architecture
at Kent State University, Stauffer has continually explored new
avenues of design and new approaches to materials and construction
techniques. He is ever on the lookout for new ways in which to,
in his words, profoundly and positively influence our
individual and collective life experience through architecture.
His abiding interest in the juxtaposition of seemingly incongruous
materials-wood and steel, granite and glass-brings to his designs
a beneficial dramatic tension that only heightens the pleasure of
those who live in, work in, or merely visit the structures he creates.
Because
he is so often called upon to design additions to existing homes,
he likes to take into account the history of the structure before
he sets pencil to paper. In such a case he tries to define the impact
of the new portion on the overall effect of the existing structure
and on its surroundings. His goal is always to complement rather
than overwhelm, which explains in part why Stauffer-who holds master's
degrees in both architecture and city planning from the University
of Pennsylvania-won 18 juried design awards in 15 years from the
Ohio and Cleveland chapters of the American Institute of Architects.
In
a typical Stauffer design, space and light play roles as important
as those of every other component. Indeed, he seems most adept at
taking the intangible-what isn't there-and making it a dramatic
element of his compositions.
In
one corporate interior design, for example, Stauffer created a showpiece
from what could have been a commonplace necessity: a staircase.
Artfully employing crosshatched steel cables as load-sharing supports
and a beautifully curving delta-shaped railing, he managed to blend
elements reminiscent of an 18th-century sailing ship's rigging with
others expressing the energy of a jet-propelled era. Each tread
of the staircase appears to float in mid-air, while the handrail
seems to impel walkers to rush upwards. Yet in the end, the staircase
still delivers an impression of tranquility, its disparate details
working together to manifest not just a sense of harmony with each
other, but also consonance with the context of their environment.
From
such states of mind great architecture is made-and national reputations
are earned.
text
by
Paul
Westlake, Jr.
Chair, 2002 Architecture Jury
1995 Winner of the Cleveland Arts Prize for Architecture
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