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Edwin London's
music speaks boldly and clearly, with a contemporary American accent.
His eclectic style blends elements of pops culture with classical
techniques. His sensitivity to text produces a smooth synthesis
of words and music. His witty sense of humor lightens a serious
and sometimes dark view of today's world.
Best known as founding music director of the Cleveland Chamber Symphony,
London is an inveterate punster who has fun playing with words,
especially in titles. Tala Obtusities, his musical play on
words by Charles Dickens, makes reference to one of the English
author's most famous novels. Psalm of These Days, I-V, a
series of psalm settings, takes its name from an old Sophie Tucker
song. In Heinrich's Shoes, London's 1993 orchestral fantasy,
is based on the St. John Passion by 17th-century German composer
Heinrich Schuetz.
Nearly half of
London's more than 70 works incorporate lyrics. He has written operas,
songs, and choral works reflecting a literary taste that ranges
from Elizabethan plays to modern poetry. He threads musical quotations
from European masters and Tin Pan Alley tunesmiths into the fabric
of his pieces. His 1959 overture to The Imaginary Invalid
quotes Mahler's Fifth Symphony. Santa Claus, the opera he
wrote as his doctoral thesis in 1960, integrates familiar Christmas
carols. Civil War tunes show up in his 1976 opera, The Death
of Lincoln. Other important influences include jazz rhythms,
the dissonant lyricism of Alban Berg, the neoclassicism of Stravinsky,
and the advanced instrumental techniques of 19th- and 20th-century
virtuoso performers.
Born in Philadelphia
in 1929, London grew up listening to the lush sonorities of the
Philadelphia Orchestra. As a child, he studied French horn, then
switched to trumpet. In 1946, he joined the Air Force and played
French horn in a military band. After earning a degree in French
horn at Oberlin College, he began his performing career with Orquestra
Sinfonica de Venezuela and the Oscar Pettiford Jazz Band.
London continued
his education at the University of Iowa, where he completed a master's
degree in conducting and a doctorate in composition. His principal
teachers were P. G. Clapp and Philip Bezanson. He also studied composition
with Luigi Dallapiccola, Darius Milhaud, and Gunther Schuller. His
music, published primarily by C. F. Peters Inc., has been recorded
on several labels and performed by ensembles across the United States
and in Europe.
London taught at
Smith College from 1960 to 1969, then joined the faculty at the
University of Illinois. There, he founded Ineluctable Modality,
a choral ensemble specializing in new music. Since 1978, he has
been a faculty member at Cleveland State University, where he formed
the award-winning Cleveland Chamber Symphony in 1980.
Widely honored
for his work as a composer, conductor, music director, and champion
of contemporary American music, London has won numerous awards,
including the 2001 Ditson Conductor's Award and the 1982 Cleveland
Arts Prize for composition.
text by
Wilma Salisbury
Spring 2003
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